In Rotation:Best of 2011

In Rotation

The very best of the 2011’s musical offerings

By Troy Farah
Published on 12/22/2011

 

Well,now that he’s almost gone,I can talk all I want about 2011 behind his back. What a long year. I can’t really say it was good or bad,but just somewhere in between. Pretty neutral. The Arab Spring led to some pretty neutral results. Occupy Wall Street,also pretty neutral. The Iraq Invasion is wrapping up,but the War on Terror gets more and more frightening over here. So,pretty neutral.

Although,in the long run we should choose to champion what was exceptional,and few things were as exceptional this year as these album releases. That’s right,it’s Flag Live’s Best Music of 2011.

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In Rotation:David Lynch and M83

A visionary director’s creepy side project and sonic spacey narcissism

By Troy Farah
Published on 11/24/2011

David Lynch

Crazy Clown Time

Rating:3/5

If a director ignores music,he’s hardly a director. It follows that David Lynch,whose films epitomize the phrase “avant garde” as much as they represent the words “[expletive] confusing,” pays so much attention to what melody is going on in the background. It’s not weird (or even news) that Lynch has been expanding his creativity to a different territory,this time with his solo record debut: Crazy Clown Time. Lynch has recorded music multiple times before,several times for the movies “Twin Peaks” and “Inland Empire” and once with superstar producer Danger Mouse.

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In Rotation:Wilco and DJ Shadow

Wilco’s consoling pity party and too many turntables for DJ Shadow

By Troy Farah
Published on 11/10/2011

Wilco
The Whole Love
Rating:3.5/5

Like most Wilco albums,their eighth release,The Whole Love,requires multiple listens. Subtle-yet-complex arrangements spattered with bold,but depressing (and occasionally nonsensical) lyrics make this Chicago six-piece at times inaccessible. Yet,for The Whole Love,not all of the love is there.

“Art of Almost,” the album’s opener,would have made for a better record title. “Almost” captures Wilco’s efforts more clearly here—a rather colorless product with themes typical of Wilco,without the heart.
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In Rotation:Switchfoot and Red Hot Chili Peppers

Mediocre musical salvation and the empty message of the Chili Peppers

By Troy Farah
Published on 10/13/2011

Switchfoot

Vice Verses

Rating:3/5

Reviewing Christian rock is somewhat like analyzing Justin Bieber or the “High School Musical” soundtrack—of course it sucks,because it isn’t marketed to you. In a way,Christian rockers are kind of punk rock,because they don’t answer to anyone and they seem to care far less about money,but the majority of it that isn’t boring is merely imitating something else.

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In Rotation:MellowHype / Portugal. The Man

A hipster yawn and N.W.A’s heirs apparent

By Troy Farah
Published on 09/15/2011

MellowHype

BlackenedWhite

Rating:4/5

 

Self-descriptions like,“This album is packed with gun sounds,grams of coke and dead cops—the perfect soundtrack for mobbing on a dark Halloween night” is what makes the whole Odd Future Wolf Gang Kill Them All (OFWGKTA) collective so enjoyable. Half the group ain’t even old enough to drink and they’re dropping albums more creative,ballsy and fun than almost anything hitting the airwaves.

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In Rotation:Bon Iver and Arctic Monkeys

Arctic Monkeys

Suck It And See

Rating:2/5

Subpar Monkeys and more spaciness from Bon Iver

By Troy Farah
Published on 08/11/2011

With their fourth LP,the Arctic Monkeys seem to be continuing this bizarre descent into bleakness. Coming from their post-punk debut to Suck It And See,12 heavy-hearted tunes,obscure with meaning,with frontman Alex Turner’s vocals leaning toward something gothic,this doesn’t offer much. And unfortunately this descent leads to utter nonsense.

Arctic Monkeys used to be a band rife with clever metaphor (equally matched with groan-worthy puns) or fresh perspective on some oddly chosen fairy tale,but somewhere along the line,Turner’s lyrics became muddled analogies trying too hard. Read More

In Rotation:Lady Gaga,Danger Mouse and Daniele Luppi

In Rotation: Spaghetti western homage and the declining fame monster

By Troy Farah

Published on 07/14/2011

Danger Mouse &Daniele Luppi

Rome

4.5/5

It’s getting nearly impossible to count the heartfelt pet projects of mega-producer Brian Burton,better known as Danger Mouse. His latest collaboration, Rome,includes Jack White,Norah Jones and most notably,Italian composer Daniele Luppi,not to mention a reunited Cantori Moderni (the choir from “The Good,The Bad and The Ugly”).

The music,a mix of bluesy guitars and dramatic operatic pop,was directly inspired by the soundtrack work of the brilliant Ennio Morricone,famous for his score on “The Good,The Bad and The Ugly” and other Sergio Leone spaghetti westerns.

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…But seriously,who is Arcade Fire?

Award shows,like the Academy Awards and the Emmys,are dead in the water. Most people pay more attention to their Netflix ratings or Pandora suggestions than the opinions of some media-saturated,pseudo-Illuminati panel. From the beginning,events like the Academy Awards have been all about insider politics,less so the merit of whatever particular art form under question. In an ideal world,award shows would base their selections on the perceived length of influence. Whether anyone would still care is up to debate.

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In Rotation:Serious sample masking and Kanye’s lament

In Rotation
Serious sample masking and Kanye’s lament
By Troy Farah
Published on 01/13/2011
in Flag Live!

Artist:Girl Talk

Album:All Day

Rating:5/5
These days,many people fancy themselves a DJ. While most can mix a decent set,many are just wrangling an iPod,which may degrade the credibility of such tunesmiths.

But if you can turn a song upside down,tear it apart until it’s barely recognizable and provide fresh interpretations of the original,you might just earn some credibility. That’s where Girl Talk comes in.

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In Rotation:The Best of 2010

In Rotation
Brilliant noise,conceptual nostalgia and the best records of 2010
By Troy Farah
Published on 12/23/2010

Anyone who says new music sucks is either getting old or have blown out their eardrums on their iPod. Have a little faith—human beings are incredibly innovative in the way they create new noises. The majority of new tunes have been done some way before and sure,there’s no great music revolution going on—despite what Anton Newcombe thought—but that’s no reason to ignore some true innovation. In light of that,let’s celebrate some of the best new albums 2010 had to offer,based on perceived impact on the glorious future of music. Hooray!

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